For the exhibition Multiple Choices, All of The Above at Oslo Kunstforening,
Danger Museum collaborates with the band Fortune Cookie on an LP
record project. Fortune Cookie produces the music while Danger
Museum develops a collage work for the album cover.
The project initiated a photographic and musical exploration trip to
Brasil in 2007. It draws inspiration from the country’s impact
in the world community over the centuries, through trade, such as of
sugar, gold and coffee. These were commodities that particularely fed
into the social fabric of Europe. Today Brasilian music continues this
process of cultural pollonation, affecting trends across the world.
The Korean electronic pop duo Fortune Cookie (Boram Hong and Heejong
Yoo) exapmlifies this, mixing their own electronica pop and Korean
folk influences with bossa-nova and other Latin American music forms.
For the LP, Fortune Cookie works with sounds from Brasilian natural
areas, street life and beaches as well as recordings of Brasilian musicians.
Danger Museum has previously interpreted album cover artwork. In An
Clar Glas (The Grey Album) they re-staged Peter Blake’s Beatles
Sgt Pepper Cover as part of a residency that explored the relationship
between an arts centre and its audience. Their interest in popular
imagery and design has also been directed towards antique pictorial
wallpapers, which they have used as structures for new images. While
these wallpapers were essentially designed to form an architectual
ambience, they also offer a pictorial space with its own logic, wherein
Danger Museum’s fascination lies. During a residency with Wysingarts
in Cambridge the group recreated large scale a 19th century panoramic
wallpaper, a style traditionally used to juxtapose several famous -
often colonial events - in the same panoramic view. The panorama became
the backdrop for a three dimmensional tableau with objects from some
of Cambridge University Museums: religious artifacts, ancient artworks,
craft items and bone specimens - placed in an altogether new context.
For the forthcoming album cover Danger Museum uses the so called “box” wallpaper
style to collage together photographs from Rio, Ihla Grande and Salvador.
The cover will be a fold-out poster of in all nine square panels, linked
together with decoratively painted jungle vegetation: The top of a
tree in one panel forms the grass in another and so on.
The LP is presented in a play-it-yourself listening table designed by the Swedish
artist Markus Degerman.